As I've mentioned before, rotations are a key aspect of our Character Design curriculum. It's an essential skill that anyone who aspires to be a professional character designer should master. Even if you're not going in that direction with your art or career, rotations are an an excellent exercise in further developing your basic draughtsmanship.
Robert Negrete is a promising artist that we'll be seeing more of in days ahead. To view more of his work, follow the link below.
Saturday, August 28, 2010
Robert Negrete's turn
Here's another head rotation that was created at a recent session of the Academy. Robert Negrete, a new student to our program enrolled in Character Design I, came up with this as part of his class assignment. For his first attempt, he did a fine job. Clicking on the image will improve the view.
Sunday, August 22, 2010
Presenting Ernesto Ochoa
It's been awhile since I've featured new artwork coming from students at the Academy. My schedule has precluded me from doing so much of the time, but in spite of that, excellent art continues to be generated through our program I'm very proud to say.
Here's a couple of samples of what's been happening this semester. This is the art of Ernesto Ochoa. These are class assignments from our basic introductory class, Character Design I. The first example of his work is a classic representation of character development through fundamental design. Ernesto is taking the time to build out the look of his character in many ways. He establishes the anatomy, fully constructs the head, even takes the time to explore the hands. Clicking on the image will give you an enhanced view.
In addition to design exploration in the concept phase of development, we have our students immerse themselves in rotations as soon as they have an image that's ready to go to models. Head rotations of their characters prepares them for full body rotations which follow in the course of their assignments.
Here's Ernesto's head rotation for one of the characters he developed for his project. It's absolutely professional in every aspect. Again, clicking on the image will enhance the view.
Notice in these samples, how he takes his time and gives his drawings all the attention they need. As with much of the work that our students create, it can be just as good or better than similar work being generated at many animation studios, with all due respect of course.
Ernesto's art is a great example of why The Animation Academy enjoys the excellent reputation that it has, and why many in the industry routinely recommend our school for appropriate training in design and related subjects. Our legacy continues to grow thanks to outstanding artists like Ernesto Ochoa and many more of our students as well.
To see more of Ernesto's work, follow the link to his blog:
http://ernieochoa.blogspot.com/
Here's a couple of samples of what's been happening this semester. This is the art of Ernesto Ochoa. These are class assignments from our basic introductory class, Character Design I. The first example of his work is a classic representation of character development through fundamental design. Ernesto is taking the time to build out the look of his character in many ways. He establishes the anatomy, fully constructs the head, even takes the time to explore the hands. Clicking on the image will give you an enhanced view.
In addition to design exploration in the concept phase of development, we have our students immerse themselves in rotations as soon as they have an image that's ready to go to models. Head rotations of their characters prepares them for full body rotations which follow in the course of their assignments.Here's Ernesto's head rotation for one of the characters he developed for his project. It's absolutely professional in every aspect. Again, clicking on the image will enhance the view.
Notice in these samples, how he takes his time and gives his drawings all the attention they need. As with much of the work that our students create, it can be just as good or better than similar work being generated at many animation studios, with all due respect of course.Ernesto's art is a great example of why The Animation Academy enjoys the excellent reputation that it has, and why many in the industry routinely recommend our school for appropriate training in design and related subjects. Our legacy continues to grow thanks to outstanding artists like Ernesto Ochoa and many more of our students as well.
To see more of Ernesto's work, follow the link to his blog:
http://ernieochoa.blogspot.com/
Thursday, August 05, 2010
Monthly enrollment at the Academy
Hello everyone, I hope this entry to the Academy's blog finds you well.
This year, we've experimented with mid-semester, or monthly enrollment. For many years the Academy offered six semesters per calendar year, with the opportunity to enter the program every other month. A few months ago, we decided to try something different by allowing students to enroll at the begining of each month.
I'm happy to report that this has been a very successful change. By overlapping our semesters, we've been able to welcome both new and returning students sooner, without having to wait an additional month for the chance to join us. This system has also been beneficial in better managing the new students that enter our program. Monthly enrollment has helped solved a periodic problem we've faced. That is, the volume of new students we would normally get as a result of bi-monthly enrollment. We've been able to spread new student enrollment more evenly throughout the year, thus enabling us to better facilitate new student groups.
The next window for enrolling at the Academy will be September 7, 2010.
The Animation Academy continues to enhance its legacy through the great creative success of our students. If you're looking to improve upon your basic skills as they apply to animation, you're welcome to contact us and discuss how the Academy can help you to grow.
Our office line is 818-848-6590.
This year, we've experimented with mid-semester, or monthly enrollment. For many years the Academy offered six semesters per calendar year, with the opportunity to enter the program every other month. A few months ago, we decided to try something different by allowing students to enroll at the begining of each month.
I'm happy to report that this has been a very successful change. By overlapping our semesters, we've been able to welcome both new and returning students sooner, without having to wait an additional month for the chance to join us. This system has also been beneficial in better managing the new students that enter our program. Monthly enrollment has helped solved a periodic problem we've faced. That is, the volume of new students we would normally get as a result of bi-monthly enrollment. We've been able to spread new student enrollment more evenly throughout the year, thus enabling us to better facilitate new student groups.
The next window for enrolling at the Academy will be September 7, 2010.
The Animation Academy continues to enhance its legacy through the great creative success of our students. If you're looking to improve upon your basic skills as they apply to animation, you're welcome to contact us and discuss how the Academy can help you to grow.
Our office line is 818-848-6590.
Thursday, June 24, 2010
William Ruzicka's storyboard
Last fall, William Ruzicka enrolled in the Storyboarding class I conduct. I knew him from Cal State University Northridge where we was a standout student in the Animation Drawing class I teach there.
The storyboard he created at the Academy is one of the best ever done by a student at the school. I've been waiting for him to get me copy of it so I could feature his work on the Academy's blog. In this case, through a link to the Gallery section of the new forums at AnimationNation.com
The method I use for teaching storyboards is different than what most may experience, and I get great results as a result. In the case of Will's work, I used a live action script from a Clint Eastwood move "In the Line of Fire" and had him board the first couple of pages. Thanks to the technology of AN's new forums, I was able to easily upload his work. Click on the first image, and a bigger window will appear that will allow you to go through all 25 pages of his storyboard. A link to William's blog is at the end of the images on the actual topic. By the way, he's currently working as a professional storyboard artist thanks in large part to the storyboard he created in class.
Enjoy William's board...
http://www.animationnation.com/community/viewtopic.php?f=3&t=104
Here's a link to his blog...
http://neondoodles.blogspot.com/
The storyboard he created at the Academy is one of the best ever done by a student at the school. I've been waiting for him to get me copy of it so I could feature his work on the Academy's blog. In this case, through a link to the Gallery section of the new forums at AnimationNation.com
The method I use for teaching storyboards is different than what most may experience, and I get great results as a result. In the case of Will's work, I used a live action script from a Clint Eastwood move "In the Line of Fire" and had him board the first couple of pages. Thanks to the technology of AN's new forums, I was able to easily upload his work. Click on the first image, and a bigger window will appear that will allow you to go through all 25 pages of his storyboard. A link to William's blog is at the end of the images on the actual topic. By the way, he's currently working as a professional storyboard artist thanks in large part to the storyboard he created in class.
Enjoy William's board...
http://www.animationnation.com/community/viewtopic.php?f=3&t=104
Here's a link to his blog...
http://neondoodles.blogspot.com/
Thursday, May 06, 2010
Evan Cooper before and after
This is the 200th post on the Academy's blog, and I can't think of a better way to celebrate than by showcasing Evan Cooper once again. He was featured in my entry of December 28, 2009.
Follow this link to the Gallery of AnimationNation.com and you'll see the remarkable improvement in Evan's work since he enrolled with us.
http://www.animationnation.com/ubb/ultimatebb.php?ubb=get_topic;f=3;t=002564
Evan's progress is indicative of how much our students grow as a result of our program. This can happen to you as well if you're dedicated, focused, and creatively productive.
The Animation Academy trains great artists.
Follow this link to the Gallery of AnimationNation.com and you'll see the remarkable improvement in Evan's work since he enrolled with us.
http://www.animationnation.com/ubb/ultimatebb.php?ubb=get_topic;f=3;t=002564
Evan's progress is indicative of how much our students grow as a result of our program. This can happen to you as well if you're dedicated, focused, and creatively productive.
The Animation Academy trains great artists.
Monday, April 12, 2010
The Academy has a new website
It's been a long time coming and I'm more than happy to announce that The Animation Academy finally has a new site.
http://theanimationacademy.com/
Thanks a thousand times over to Adrian Foster for all of the work he's put into it as the site's webmaster, and to Snakebite for the design.
We're showcasing the artwork and galleries that were there from before. Now you can see some of the art when you go to the homepage, and we're also able to feature video. On the right is an interview with Chance Raspberry, below that is a trailer for a 12 minute movie we did in Flash from the time the Academy was located on Olive Ave. in Burbank. It was a production we were commissioned for. Below that is a video montage of student work. There's two more videos featuring animation that we'll be adding soon. You can see the additional videos by going to the Gallery section of the site.
We'll be creatively expanding the site now that we have this new resource. Meanwhile, we hope you'll enjoy the many things there are to see and be inspired by.
Keep Creating!
Charles Zembillas
http://theanimationacademy.com/
Thanks a thousand times over to Adrian Foster for all of the work he's put into it as the site's webmaster, and to Snakebite for the design.
We're showcasing the artwork and galleries that were there from before. Now you can see some of the art when you go to the homepage, and we're also able to feature video. On the right is an interview with Chance Raspberry, below that is a trailer for a 12 minute movie we did in Flash from the time the Academy was located on Olive Ave. in Burbank. It was a production we were commissioned for. Below that is a video montage of student work. There's two more videos featuring animation that we'll be adding soon. You can see the additional videos by going to the Gallery section of the site.
We'll be creatively expanding the site now that we have this new resource. Meanwhile, we hope you'll enjoy the many things there are to see and be inspired by.
Keep Creating!
Charles Zembillas
Friday, March 26, 2010
Bryan Young's impact
It's really a thrill to see continuously impressive work being created by our students. Take for example Bryan Young. He was enrolled in Character Design I last semester and made a big impact with his art. Check out his rotations and two facial expression models he generated as part of his class requirements. Clicking on the images will give you a better view.



Bryan did an exceptional job needless to say. His artwork inspired other students to excel. This is what makes the Academy a unique and valuable experience for all. When one student creates outstanding artwork we all benefit from it.
Looking forward to more exciting design work from Bryan Young in days ahead.



Bryan did an exceptional job needless to say. His artwork inspired other students to excel. This is what makes the Academy a unique and valuable experience for all. When one student creates outstanding artwork we all benefit from it.Looking forward to more exciting design work from Bryan Young in days ahead.
Saturday, February 27, 2010
Eric Yac - Before and After
Here's a great example of the kind of progress our students make in a short period of time at the Academy.
Eric Yac started with us last semester in January, 2010. He enrolled in Character Design I, which is a foundation class for our program. This is his first attempt at incorporating basic fundamentals into his drawing. He created these sketches on January 5, the first day of class as you can see from the date he wrote on the page.
Now take a look at what Eric was doing only 17 days later, while working on an assignment at home. Clicking on the images will give you a better view.
It's hard to believe this was done by the same artist, but it was, and in only 2 weeks and 3 days after his initial class sketches. His later drawings show even more improvement. Now Eric is drawing with so much confidence, he's teaching others on his own.
Eric is indicative of why The Animation Academy enjoys such a great reputation in our industry. We can look forward to many more interesting works from Eric in the days ahead.
Eric Yac started with us last semester in January, 2010. He enrolled in Character Design I, which is a foundation class for our program. This is his first attempt at incorporating basic fundamentals into his drawing. He created these sketches on January 5, the first day of class as you can see from the date he wrote on the page.
Now take a look at what Eric was doing only 17 days later, while working on an assignment at home. Clicking on the images will give you a better view.
It's hard to believe this was done by the same artist, but it was, and in only 2 weeks and 3 days after his initial class sketches. His later drawings show even more improvement. Now Eric is drawing with so much confidence, he's teaching others on his own. Eric is indicative of why The Animation Academy enjoys such a great reputation in our industry. We can look forward to many more interesting works from Eric in the days ahead.
Tuesday, January 19, 2010
The Academy is 12 years old today!
Happy Birthday to us!!!
On this date in 1998 The Animation Academy held it's very first class! It was in the back room of the Coral Cafe, a local restaurant in Burbank. I started the school with an investment of $15 which was used for buying postage stamps and envelopes. I had a mailing list of about 35 names, most of them students from classes I had taught previously at other schools. I used the list for sending out Christmas cards, and in December of 1997, I sent out flyers announcing the flagship class for a new school. I called it "The Animation Academy" because I couldn't think of any other name.
There was room for 20 students. I figured I'd get somewhere between 5 and 10 enrolled, but as it turned out, all 20 seats were booked and the Academy began with a capacity class.
Over the years we've had students into the thousands, and I figure along with those I've taught at other schools, the number of students I've personally instructed numbers around 3000.
Many lives have been changed by the program at the Academy, and our humble beginnings underscore just how significant the school's been not only in the careers of our students and friends, but in the direction that animation has taken as well. Academy students are at studios throughout the industry including Pixar, Disney, DreamWorks, Cartoon Network, Nickelodeon and many more. We're closely associated with the program at Cal State Northridge, a major university, and we continue to attract artists from the industry and from outside the US as well. The Academy inspired industry reform through AnimationNation.com and continues to encourage artists to excel.
Thanks to everyone who's currently involved with the school and thanks to the many people who've been involved with us in the past.
Here's to our future, and to your future as well!
Keep Creating!
Charles Zembillas
On this date in 1998 The Animation Academy held it's very first class! It was in the back room of the Coral Cafe, a local restaurant in Burbank. I started the school with an investment of $15 which was used for buying postage stamps and envelopes. I had a mailing list of about 35 names, most of them students from classes I had taught previously at other schools. I used the list for sending out Christmas cards, and in December of 1997, I sent out flyers announcing the flagship class for a new school. I called it "The Animation Academy" because I couldn't think of any other name.
There was room for 20 students. I figured I'd get somewhere between 5 and 10 enrolled, but as it turned out, all 20 seats were booked and the Academy began with a capacity class.
Over the years we've had students into the thousands, and I figure along with those I've taught at other schools, the number of students I've personally instructed numbers around 3000.
Many lives have been changed by the program at the Academy, and our humble beginnings underscore just how significant the school's been not only in the careers of our students and friends, but in the direction that animation has taken as well. Academy students are at studios throughout the industry including Pixar, Disney, DreamWorks, Cartoon Network, Nickelodeon and many more. We're closely associated with the program at Cal State Northridge, a major university, and we continue to attract artists from the industry and from outside the US as well. The Academy inspired industry reform through AnimationNation.com and continues to encourage artists to excel.
Thanks to everyone who's currently involved with the school and thanks to the many people who've been involved with us in the past.
Here's to our future, and to your future as well!
Keep Creating!
Charles Zembillas
Thursday, January 07, 2010
Amber Kenneson returns
Happy New Year to all! Here's wishing that 2010 is a great creative experience for everyone associated with the Academy.
We got the year off to a strong start by launching Semester 13.1 this week, and among the good things we're celebrating is the return of Amber Kenneson. Amber enrolled in our program earlier in 2009 and has come back to continue her work. Here's an example of a class assignment she created previously in Visual Development. An intriguing study for a background in which she made use of full tonal ranges as well as some unusual design elements for a unique composition that is a hallmark of her style. She used blue pencil and graphite. Click on the artwork for a better view.
We got the year off to a strong start by launching Semester 13.1 this week, and among the good things we're celebrating is the return of Amber Kenneson. Amber enrolled in our program earlier in 2009 and has come back to continue her work. Here's an example of a class assignment she created previously in Visual Development. An intriguing study for a background in which she made use of full tonal ranges as well as some unusual design elements for a unique composition that is a hallmark of her style. She used blue pencil and graphite. Click on the artwork for a better view.
Feel free to visit Amber's blog by following the link below:
http://www.amberkenneson.blogspot.com
Looking forward to more great art from Amber in the weeks ahead.
Subscribe to:
Posts (Atom)